A Comparison of Sei Shonagon and Marie de France Essay -- comparison c

A Comparison of Sei Shonagon and Marie de France    Though in excess of 200 years have isolated Sei Shonagon and Marie de France, the scene is a lot of the equivalent. An elegant woman sits in a light lit room, with her composing hand ready over a book of material. Her face lights up in a moment of motivation and she writes angrily onto the paper. This lady is firmly connected with the imperial court and is something of a chronological error, a lady creator in a male-overwhelmed world. The scene imagined here could have occurred in either Shonagon's late tenth century Japan or the twelfth century France of Marie de France. The distinctions that exist between these two creators are a consequence of their contrasting societies and characters. Marie de France composes as a result of her time, communicating through her characters, while remembering the commands of the congregation. Sei Shonagon is governed by no such commands and subsequently composed with cruel genuineness. Appropriately, the structure, lingual authority and symbo lism utilized by each creator mirrors her own unmistakable character and qualities.  Sei Shonagon is most notable for her Pillow Book, an assortment of her own musings and perceptions during her time at court. The structure, or scarcity in that department, in this work gives the peruser a look at Shonagon's character. She writes in short blasts, giving the smaller than usual parts such titles as The Sliding Screen in the Back of the Hall, Derisive Things, and Bulls Should Have Very Small Foreheads. The titles are illustrative of her inclination to compose finally on subjects that may appear to be unimportant, or as the writer concedes in the last fragment of the Pillow Book, generally minor. truth be told, these purported insignificant perceptions give a s... ...es and societies. One creator is represented by her severe confidence and adherence to the congregation, the other by her own firmly held conclusions. Every lady's composing plainly mirrors her own particular character and disposition: Marie de France, increasingly excited and profound, Sei Shonagon, progressively sarcastic and obstinate. Both dignified women appear to be devoted to their own convictions and intelligent of their time and culture.   Works Cited  Sei Shonagon. The Pillow Book. Trans. Richard Bowring. The Norton Anthology of World Masterpieces. Extended Edition. Ed. Maynard Mack. New York: W.W. Norton and Co. 1995. 2191-2218. All citations are from this content.  De France, Marie. Eliduc. Trans. John Fowles. The Norton Anthology of World Masterpieces. Extended Edition. Ed. Maynard Mack. New York: W.W. Norton and Co. 1995. 1680-1692. All citations are from this content. Â